Poor Cio-Cio-San! The 15-year-old geisha (here superb soprano Eleonora Buratto) who, having renounced her family and Japanese traditions for the love of an American naval officer (Stefan Pop), finds herself abandoned in favour of a Western wife. Puccini used this classic theme of a woman seduced and abandoned to create an opera with lush orchestration and burning lyricism. For singular American director Robert Wilson, this Japanese tragedy of a woman as fragile as a butterfly’s wings proves the ideal environment in which to display his signature refined formalism. Far from the traditional fans and cherry branches, he uses stylised acting and a stripped-down space to allow the melodic lines to blossom in all their purity.

Roger Waters, founding member and creative force behind the legendary Pink Floyd, brings to the screen his live show, Roger Waters This Is Not A Drill: Live From Prague - The Movie. Directed by Sean Evans and Roger Waters, the film combines iconic songs from his Pink Floyd days with those from his solo career, encompassing a timespan of sixty years. The show is a stunning indictment of the corporate dystopia in which we all struggle to survive, and a call to action to love, protect and share our precious and precarious planet home. Dedicated to “our brothers and sisters all over the world who are engaged in the existential battle for the soul of humanity”, the movie is an extraordinary assault on the senses, not just musically and visually, but politically and philosophically as well. It captures performances of songs from some of the most influential albums of all time – The Dark Side Of The Moon, Wish You Were Here, Animals and The Wall, together with those from the most popular of Waters’ solo career, including Amused To Death and Is This The Life We Really Want? Brought together with his band and crew, the show is majestic, with performances that are powerful yet controlled. The sense of control is emphasised by the 360° stage. It provides intimacy and allows the performers to play to all sections of the audience “in the round”. With a rectangular centre with runways extending from each side, creating an elongated cross. Above it is a set of giant LED screens configured the same way. Made up of 12 surfaces, and totalling a huge 650 square meters, they project numerous images and messages that vividly and powerfully reinforce the meanings behind the songs. Because of the size and position of the screens, they can be seen throughout the arena and promote a high-energy production with maximum audience participation.

From Seoul to Los Angeles, Texas to Mexico City, BTS ARMY is everywhere. FOREVER WE ARE YOUNG dives into the passionate fandom that catapulted 21st century pop icons BTS into a global household name. We meet fans at a BTS-focused ReactorCon in Lewisville, Texas, a dance instructor in Seoul who only teaches BTS choreography, and fans who’ve been organizing since 2013 to help BTS dominate the charts. Defying stereotypes of pop fans as screaming teen girls, ARMY is an intergenerational, culturally savvy, and socially active movement that is as diverse as the world itself. The film captures the powerful spirit of activism and collectivity that make ARMY a symbol of hope and unity in our ever-fractured world.

Captured live from Naples’ splendid San Carlo Theatre – the world’s oldest continuously running public opera venue - where it opened the company’s theatrical season, acclaimed director Dmitri Tcherniakov stages a new production of Dvořák’s beautiful, supremely romantic opera about a water sprite Rusalka (here the stunning soprano Asmik Grigorian) who longs to find love. Maestro Dan Ettinger conducts a terrific cast that also includes exciting young British tenor Adam Smith, Ekaterina Gubanova, Anita Rachvelishvili and Gábor Bretz.

Step into a night of music, romance, and celebration with André Rieu’s Waltz the Night Away! An all-new summer concert captured live from the stunning Vrijthof Square in his beloved hometown of Maastricht is coming to cinemas! Each night, the Vrijthof transforms into a grand ballroom as André and his Johann Strauss Orchestra invite audiences of all ages to waltz under the stars. With timeless melodies and beautiful waltzes, this concert will take you on a journey filled with joy, love, and heartfelt emotion. Let yourself be swept away by one of the most romantic events of the year, bigger and more dazzling than ever, on the big screen. Bring someone special and create cherished memories as you Waltz the Night Away with André Rieu — only in cinemas!

Oscar-nominated Rosamund Pike (Gone Girl, Saltburn) is Jessica in the much-anticipated next play from the team behind Prima Facie. Jessica Parks is a smart Crown Court Judge at the top of her career. Behind the robe, she is a karaoke fiend, loving wife and a supportive parent. When an event threatens to throw her life completely off balance, can she hold her family upright? Writer Suzie Miller and director Justin Martin reunite following their global phenomenon Prima Facie, with this searing examination of modern motherhood and masculinity.

Opera in three acts (1900) New production! The splendour of Rome. The devastation of war. Puccini’s operatic thriller returns in an unmissable, gripping new production by Oliver Mears, the first to be conducted by Music Director of The Royal Opera Jakub Hrůša in his new role. Floria Tosca (star soprano Anna Netrebko) and Mario Cavaradossi (rising tenor Freddie De Tommaso) live for each other and for their art. But when Cavaradossi helps an escaped prisoner, the lovers make a deadly enemy in the form of Baron Scarpia (bass-baritone Gerald Finley), Chief of Police. At the mercy of Scarpia’s twisted desires, Tosca is forced to make a horrific bargain: sleeping with the man she hates in order to save the man she loves. Can she find a way out?

Ballet in two acts (1960) 65 years after its premiere, The Royal Ballet invites you to (re)discover Frederick Ashton’s ballet of pure sunshine. Lise (Francesca Hayward), the only daughter of Widow Simone, is in love with the young farmer Colas (Marcelino Sambé), but her mother has far more ambitious plans for her. Simone hopes to marry her off to Alain, the son of the wealthy proprietor Thomas. Desperate to marry Colas rather than Alain, Lise contrives to outwit her mother’s plans. Whisking us away into pastoral bliss with Hérold’s cheerful score and Osbert Lancaster’s colourful designs, this affectionate portrayal of village life combines exuberant good humour and brilliantly inventive choreography in what is undoubtedly Ashton’s love letter to the English countryside.

Ballet in three acts (1948) Encore screenings! This enchanting ballet by The Royal Ballet’s Founding Choreographer Frederick Ashton is a theatrical experience for all the family that transports audiences into an ethereal world where a sprinkling of fairy dust makes dreams come true. Stuck at home and put to work by her spoiled Step-Sisters, life for Cinderella (Fumi Kaneko) is dreary and dull is dreary and dull. Everything changes when she helps a mysterious woman out...With a little bit of magic, she is transported into an ethereal new world – one where fairies bring the gifts of the seasons, where pumpkins turn into carriages, and where true love with the prince (William Bracewell) awaits.

A sparkling festive treat for the whole family, journey into a magical kingdom with a new performance of Peter Wright’s enchanting ballet production, screening direct from London.

Opera in three acts (1853) Live and love, to the last breath. At one of her lavish parties, celebrated Parisan courtesan Violetta (Ermonela Jaho) is introduced to Alfredo Germont (Giovanni Sala). The two fall madly in love, and though hesitant to leave behind her life of luxury and freedom, Violetta follows her heart. But the young couple’s happiness is short-lived, as the harsh realities of life soon come knocking. As intimate as it is sumptuous, ‘La traviata’ features some of opera’s most famous melodies. In director Richard Eyre’s world of seductive grandeur, the tender and devastating beauty at the centre of Verdi’s opera shines bright.

Ballet in three acts (2015) Virginia Woolf defied literary conventions to depict rich inner worlds – her heightened, startling and poignant reality. Resident Choreographer Wayne McGregor leads a luminous artistic team to evoke Woolf’s signature stream of consciousness writing style in this immense work that rejects traditional narrative structures, set to an original score by Max Richter. A collage of themes from ‘Mrs Dalloway’, ‘Orlando’, ‘The Waves’ and Woolf’s other writings, this Olivier-award winning ballet triptych captures the heart of Woolf’s uniquely artistic spirit.