Step into a delightfully absurd world of class, cricket, and cunning in Fackham Hall — a gleefully irreverent spoof on the grandeur of period drama. In this riotous comedy of manners, lovable pickpocket Eric Noone (Ben Radcliffe) insinuates himself into the storied Davenport estate, sparking a forbidden romance with Rose Davenport (Thomasin McKenzie). But as family rivalries bubble and scandals erupt — including a disastrous wedding and a sudden murder — Eric finds himself framed, his future and Rose’s hanging in the balance. With a stellar ensemble cast including Katherine Waterston, Tom Felton, Emma Laird and Damian Lewis, Fackham Hall delights in skewering the rules of aristocratic decorum while still tugging at the heart. Conceived in the spirit of Airplane! and The Naked Gun, it lampoons Downton Abbey-style tropes with rapid-fire wit and affectionate derision. This is Jimmy Carr’s screenwriting debut, and his love for the absurd infuses every line from high tea to low skulduggery. Fackham Hall will leave audiences chuckling behind their gloved hands and eager for another scandal at the manor. Pearl clutching optional.

Winner of the Audience Award at the BFI London Film Festival, this sharp-edged comedy with a beating heart, bursts onto the screen with wit, warmth, and just the right amount of chaos. Edward (James McArdle), a writer on the cusp of international success, is all set for his big U.S. book tour when life pulls the rug out from under him—his beloved mother Alma (the incomparable Fionnula Flanagan) suffers a stroke. Suddenly, Edward is stuck juggling deadlines, doctor’s visits, and the crushing weight of care. But things really spiral when his three best friends skip town for a Pride festival, leaving him with their mothers too. What follows is a whirlwind weekend in Dublin where four wildly different women - sharp, stubborn, hilarious, and heartbreakingly human - collide under one roof. Arguments fly, secrets spill, and unlikely alliances bloom. Directed by Darren Thornton, Four Mothers is a riotous, deeply moving ode to the mess of family, chosen and otherwise. Expect laugh-out-loud clashes, tear-jerking confessions, and a bracing reminder of the love that binds us when everything else falls apart.

Set against the sweeping highlands of Scotland, Glenrothan is a heartfelt drama about roots, reconciliation, and the ties that refuse to be broken. The story follows two estranged brothers who return to their hometown after years apart, each carrying the weight of old conflicts and unspoken regrets. Drawn back by the passing of their father, they find themselves not only confronting family history but also rediscovering the power of community in a place where tradition runs deep. Shot with breathtaking cinematography that captures both the rugged beauty and quiet intimacy of rural life, Glenrothan is as much a love letter to the landscape as it is a stirring human story. The film blends warmth, humour, and poignancy, offering audiences a moving exploration of belonging and forgiveness. This is the directorial debut from Brian Cox, who stars alongside an outstanding ensemble including Alan Cumming, Shirley Henderson, Alexandra Shipp, and Siobhan Redmond. Anchored by a script rich with authenticity, Glenrothan is an evocative journey into the heart of family, memory, and homecoming.

Two estranged friends. Six hundred kilometres. One unforgettable journey. In The North, director Bart Schrijver invites audiences on a breathtaking pilgrimage through the Scottish Highlands, where the raw beauty of the land collides with the unspoken weight of the past. Chris and Lluis, once inseparable, reunite after years apart to tackle the West Highland Way and the Cape Wrath Trail. What begins as a physical challenge soon becomes a test of trust, endurance, and the possibility of reconnection. Shot entirely on location, the film captures the Highlands in all their elemental force, mist curling over ridges, rain sweeping across valleys, silence stretching as wide as the lochs. Performances by Bart Harder and Carles Pulido ground the epic scenery with intimate emotion, their restrained chemistry revealing as much in pauses as in words. A moving blend of adventure and meditation, The North is a cinematic experience for anyone drawn to stories of resilience, friendship, and the healing power of nature.

The thrilling story of the infamous confrontation between iconic Republic of Ireland football captain Roy Keane (an outstanding Éanna Hardwicke) and his national team manager Mick McCarthy (a superb Steve Coogan) during the Irish team’s preparations for the 2002 FIFA World Cup on the island of Saipan. The intense rivalry between these two personalities transcended the game, gripping an entire nation and the sporting world as a whole. On the surface, the feud was all about standards, but deep down it was an incredible story of two men whose rivalry and contempt surpassed the sport they loved. This is the definitive account of one of the most fractious fallings-out in the history of sport.